
Sony SEL 30mm f/3.5 Macro Camera Lens (NEX)
Product information for Sony SEL 30mm f/3.5 Macro Camera Lens (NEX)
Macro Lens 1:1 Magnification Ratio AF for Movie Capture Filter Diameter: 49mm Minimum working distance of only 2.4cm with 1:1 magnification For Alpha NEX camera High contrast and minimal chromatic aberration from infinity on down to 1:1 magnification at all aperture settings Featuring ED glass in the G4 element, chromatic aberration and colour bleeding are minimized, while multi-coating throughout makes for an exceptionally clear rendering. Direct Manual Focus mode allows you to manually override Auto Focus mode for complete creative control. Thanks to an internal stepping motor and rear-focusing design, this macro lens performs equally as well when shooting video, ensuring smooth, quiet operation and precise focus control essential for high-quality movie capture. 1:1 Magnification Ratio: SEL30M35 has a 1:1 magnification ratio so that subjects can be captured at full size on the camera's image sensor. This makes it easy to shoot quality macro close-ups of flowers, insects, and small objects. Aspherical/ED glass elements: Offers excellent image quality throughout the entire image area, with high contrast and minimal chromatic aberration from infinity to 1:1 magnification at all aperture settings. ED glass is used for the G4 element, minimizing chromatic aberration and color bleeding as well as multi-coating throughout for exceptionally clean, clear rendering. Smooth Manual Focusing: An easy-grip focus ring on the lens barrel gives you a solid "hands-on" feel in manual focusing. Additionally, Direct Manual Focus (DMF) allows you to focus manually after AF lock-on without the need for any switching. This can be extremely useful in situations where AF can't lock onto the subject accurately, or when AF locks onto a point that does not match your intention. Electronic manual focus technology was originally developed for professional Sony camcorders to ensure smooth, precise focus control. Made for movies: Performs equally as well when shooting video Thanks to an internal





















