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    Pedals - Funn - Black Magic, 9/16-inch - Blade 2.0

    Pedals - Funn - Black Magic, 9/16-inch - Blade 2.0

    Product information for Pedals - Funn - Black Magic, 9/16-inch - Blade 2.0

    $54.99
    $35.9935% OFF

    All the grip of an alloy pedal at a fraction of the price. The Funn Black Magic was designed for street and dirt jumpers but has proved itself capable enough for pretty much anything you can throw at it. It pairs a super tough and super light fibreglass-reinforced thermoplastic platform with a cromo axle for a tough, grippy and affordable pedal. The Black Magic has 7 replaceable pins per side and can be fully stripped and serviced to keep it running for years. Thermoplastic platform with replaceable alloy pins CrMo axle w/ DU and cartridge bearing 7 pins per side for max grip Supplied with spare pins and tool Platform size: W103mm x L98mm x H17mm Service kits and replacement pins available direct from Funn MTB Red / orange / blue / black / gold / green 360g per pair Compatible with all bikes except.

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    Electro-Harmonix Platform Stereo Compressor Limite...

    The Electro-Harmonix Platform Stereo Compressor Limiterpresents a versatile and powerful studio-quality compressor enclosed in astompbox-sized package. Use the Platform’s compressor limiter on anyinstrument, such as guitar, bass, or keyboards, for precise and powerfulcontrol of your signal’s volume. Engage the Drive and Swell functions to tailorfurther and enhance your sound. Whether you’re on stage, in the studio, puttingtogether a podcast, or creating your next YouTube masterpiece, the Platformwill help you get the job done. FeaturesStudio-quality compressor limiter lets the user precisely tune dynamicsregardless of the instrument or situation. The compressor limiter includes afull complement of controls: Volume, Attack, Release, and Sustain, pluspushbuttons for Hard or Soft Knee and the Limiter. The foot-switchableoverdrive section adds versatility and includes dedicated controls for Volume, Tone, and Drive. Together with the compressor it produces a sound that’ssaturated, smooth, and slippery. The adjustable Swell function creates bowed, fade-in, and reverse effects. True stereo operation, can be used as Mono In andOut, Mono In and Stereo Out, or Stereo In and Stereo Out. It features athree-color, eight-LED compression meter that displays the compressor’s actualgain reduction in real time. It contains a stereo-buffered bypass that’s greatfor keeping your signal pristine with multiple pedal setups and long cableruns. ControlsThe Knee button changes the compression/limiting curve to produce a compressionsound that is either more or less transparent. The limiter button engages thelimiter. The Volume Knob (Main Output Level) controls the master volume. Usethis control to balance your level between bypass and effect mode. The ATTACKknob sets the amount of time delay before the compressor limiter is activatedonce the input signal level reaches or exceeds the threshold setting. While thecompressor limiter are acting on the signal, the input may drop below thethreshold setting and cause the compressor to cease working on the signal. Thecompressor does not stop working immediately, though. Rather, it graduallystops over a period that is set by the Release knob. The Sustain knob adjuststhe compression ratio in Compressor Mode. It adjusts the threshold level inLimiter Mode. Volume Knob (Drive Level) controls the output volume of the Drivesection. The Tone knob adjusts the frequency response of the overdrive's hi-cutfilter, allowing you to dial in the perfect overdrive tone. The Drive Knobcontrols the input gain of the overdrive section. The Swell Knob adjusts fade-intime. The Drive footswitch allows you to engage or bypass the overdrivesection. When the Drive is engaged, the white LED above the Drive footswitchlights up. The bypass footswitch and LED let you toggle between effect mode andbypass. Plug your instrument output or another effects pedal into the R Inputjack. The Right output signal is sent through the R Output jack. Plug yourinstrument or output from another effects pedal into the Mono or L Input jack. The Left output signal is sent through the Mono or L Output jack. | Electro-Harmonix Platform Stereo Compressor Limiter Pedal with Foot-Switchable Overdrive
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    Electro-Harmonix V256 Vocoder with Reflex-Tune, 9 ...

    The Electro-Harmonix V256 Vocoder welds your voice to youraxe inspiring the twist of creativity that can make all of the difference. Bendyour gender, drone your tone, and invite aliens into your work of art. The V256lets you adjust the vocoder from 8 to 256 bands taking you back to the 80’s andpropelling you into the future at the same time. Bring your vocals up to snuffwith advanced processing ‘Reflex Tune’, today’s most popular pitch correctioneffect. ControlsThe Blend knob sets the mix of dry vocal signals to the V256 effect. In allmodes except Transposition, Instrument Ctrl, and Reflex-Tune, the Bands knobsets the number of bands for the vocoder. The Tone knob adjusts the tonalquality of the effect. Gender Bender Knob has a formant shift that correspondsroughly to the length of the vocal tract. In the first six modes, the Pitchknob controls the pitch of the internal synthesized voices. The Mode knob enablesthe user to scroll through the 9 modes. The Mic Bypass footswitch toggles theV256 between effect mode and bypass mode. If the Status LED is lit, then theV256 is in effect mode. Use the Mic Gain switch to change the sensitivity ofthe mic pre-amp in the V256. On the side of the V256, next to the Mic Input XLRjack, is the Phantom Power toggle switch. Pushing the toggle switch up willsupply over 40V to the microphone. The Phantom Power switch should only be setto On when using a condenser microphone. The Mic Input XLR jack is a fullybalanced microphone input. Connect your microphone directly to this input jack. In the vocoder modes of the V256, the instrument signal can be used as thecarrier signal for the vocoder effect. In Instrument Ctrl mode, the instrumentsignal is used to determine the note that will replace the pitch of the sungnote. In Reflex-Tune mode, with the Pitch knob set fully CCW, the instrumentsignal will determine the diatonic key and the V256 will quantize to notes inthat key scale. Press and release the Preset footswitch to load a preset intothe presently selected mode. The V256's effect is output through the EffectOutput XLR jack on the side of the unit. The effect signal as well as the dryand bypassed vocals are output from this jack. The Instrument output on theV256 outputs a blend of the effected signal as well as the dry instrumentsignal or MIDI controlled internal synthesizer. | Electro-Harmonix V256 Vocoder with Reflex-Tune, 9 Programmable Memory Locations and 3 Robotic Voices
    $261.20
    $208.9620% OFF
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    Electro-Harmonix V256 Vocoder with Reflex-Tune, 9 ...

    The Electro-Harmonix V256 Vocoder welds your voice to youraxe inspiring the twist of creativity that can make all of the difference. Bendyour gender, drone your tone, and invite aliens into your work of art. The V256lets you adjust the vocoder from 8 to 256 bands taking you back to the 80’s andpropelling you into the future at the same time. Bring your vocals up to snuffwith advanced processing ‘Reflex Tune’, today’s most popular pitch correctioneffect. ControlsThe Blend knob sets the mix of dry vocal signals to the V256 effect. In allmodes except Transposition, Instrument Ctrl, and Reflex-Tune, the Bands knobsets the number of bands for the vocoder. The Tone knob adjusts the tonalquality of the effect. Gender Bender Knob has a formant shift that correspondsroughly to the length of the vocal tract. In the first six modes, the Pitchknob controls the pitch of the internal synthesized voices. The Mode knob enablesthe user to scroll through the 9 modes. The Mic Bypass footswitch toggles theV256 between effect mode and bypass mode. If the Status LED is lit, then theV256 is in effect mode. Use the Mic Gain switch to change the sensitivity ofthe mic pre-amp in the V256. On the side of the V256, next to the Mic Input XLRjack, is the Phantom Power toggle switch. Pushing the toggle switch up willsupply over 40V to the microphone. The Phantom Power switch should only be setto On when using a condenser microphone. The Mic Input XLR jack is a fullybalanced microphone input. Connect your microphone directly to this input jack. In the vocoder modes of the V256, the instrument signal can be used as thecarrier signal for the vocoder effect. In Instrument Ctrl mode, the instrumentsignal is used to determine the note that will replace the pitch of the sungnote. In Reflex-Tune mode, with the Pitch knob set fully CCW, the instrumentsignal will determine the diatonic key and the V256 will quantize to notes inthat key scale. Press and release the Preset footswitch to load a preset intothe presently selected mode. The V256's effect is output through the EffectOutput XLR jack on the side of the unit. The effect signal as well as the dryand bypassed vocals are output from this jack. The Instrument output on theV256 outputs a blend of the effected signal as well as the dry instrumentsignal or MIDI controlled internal synthesizer. | Electro-Harmonix V256 Vocoder with Reflex-Tune, 9 Programmable Memory Locations and 3 Robotic Voices
    $261.20
    $208.9620% OFF
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    Electro-Harmonix Electro Harmonix Superego Plus Sy...

    Building on the synthesis platform of the award-winningSuperego, the Electro Harmonix Superego Plus Synth Engine raises the bar whenit comes to creating synth effects, sound layers, glissandos, infinite sustain, and more. Plus, EHX has added a complete effects section featuring 11 effectstypes, an EXP input for effect parameter control and preset recall, and an EXTjack for a 3-button controller. EffectsDETUNE has pitch detune, EXP pedal controls pitch. DELAY has a warm, analog-sounding delay, feedback is preset, and EXP controls delay time up to 2seconds. ECHO gives pristine digital delay, feedback is preset, EXP pedalcontrols delay time up to 2 seconds. FLANGE features an Electric Mistress stylewith filter matrix, rate, and feedback, and also features an EXP pedal controlrate. PHASE gives Small Stone-style phase shifting with rate and depth control. EXP controls rate. MOD gives pitch-based vibrato or chorus. EXP controls rate. ROTARY provides rotary speaker-style sound. Depth controls tweeter and hornbalance, along with EXP pedal controls rate. TREM 1 gives sine wave tremolo, and EXP controls the rate. TREM 2 square wave tremolo and EXP controls rate. PITCH gives a pitch-shifting effect over a plus and minus one-octave range. EXPcontrols whammy. FILTER gives a resonant low-pass filter. EXP pedal controlsfrequency. ControlsThe pedal provides enough sound shaping control to please the most sonicallyadventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer, and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Fourfoot-switchable Freeze modes - Moment, Sustain, Auto, and Latch, plus a LiveEffects mode where the dry signal is routed through the built-in effects andthe internal synth engine is disabled, are included. The polyphonic SuperegoPlus works with guitar as well as other instruments including bass, keyboards, vocals, drums, etc., and comes equipped with an EHX 9.6DC-200 AC Adaptor. KnobsDRY Knob controls the volume level of the dry signal. As you turn DRY clockwisethe volume of the DRY signal increases to a maximum of plus 3dB. The EFFECTKnob controls the volume of the effected signal. Fully CCW removes the effectsignal entirely. Fully CW presents the maximum effect signal. The effect volumecontrol operates before the SEND output jack in the signal chain. ATTACK Knobcontrols the fade-in speed of the frozen signal. When set fully CCW, the frozensignal starts immediately. As the knob is turned CW the frozen signal fades inmore slowly. Adjust the ATTACK knob to create swell and pad effects. DECAY KnobControls the fade-out speed of the frozen signal. When fully CCW, the frozensignal fades out quickly. As the knob is turned CW, the fade-out timeincreases. When set fully CW, the frozen signal plays indefinitely until a newfreeze function is triggered. If the DECAY knob is set very high at the timethe Superego Plus goes into bypass, the bypass LED flashes as the effect signalfades out. This bypass fade-out time is determined by the DECAY setting andprovides a maximum fade-out time of up to 2 seconds. Once the bypass fadeout iscomplete the LED turns off as the Superego Plus enters bypass. THRESHOLD Knobcontrols how sensitive the Superego Plus is to the input signal. THRESHOLD isthe least sensitive when set fully CCW. In this setting, the input signal hasto be very strong to trigger the effect. As the knob is turned CW, the SuperegoPlus becomes more sensitive and the effect becomes increasingly easier totrigger. When set fully CW, even light playing will trigger the effect. | Electro-Harmonix Electro Harmonix Superego Plus Synth Engine with Multi FX, 11 Effect Types, EXP Input, and EXT Jack
    $283.80
    $227.0420% OFF

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