Electro-Harmonix Nano Metal Muff Distortion Pedal with Noise Gate and Straight Forward Controls in Black

Classic fuzz is reimagined and redefined with the Electro-Harmonix Satisfaction Plus Fuzz Guitar Pedal. Expanding on Electro-Harmonix’s first homage to the tone that launched a thousand riffs, the EHX Satisfaction Plus delivers a wide palette of tones, from classic ‘60s snarl to creamy lead tone to thick, earth-shaking sludge! Enhanced ControlsWhere the original Satisfaction Fuzz circuit was a focused tribute, the Satisfaction Plus Fuzz treats the classic tone to a modern control set that includes a FAT/NORM mode switch, BIAS control, and TONE knob. The added FAT mode features a tone that is bigger and warmer than the NORM mode for woolly leads and giant wall-of-thunder riffs. The TONE control is an active tilt-shift EQ that inversely controls both the treble and bass of the fuzz for broad tonal shifting. Set the BIAS control to dial in the fuzz character from balanced and open to gated and snarly. | Electro-Harmonix Satisfaction Plus Fuzz True Bypass Electric Guitar Analog Pedal with 9V Battery in Black

Classic fuzz is reimagined and redefined with the Electro-Harmonix Satisfaction Plus Fuzz Guitar Pedal. Expanding on Electro-Harmonix’s first homage to the tone that launched a thousand riffs, the EHX Satisfaction Plus delivers a wide palette of tones, from classic ‘60s snarl to creamy lead tone to thick, earth-shaking sludge! Enhanced ControlsWhere the original Satisfaction Fuzz circuit was a focused tribute, the Satisfaction Plus Fuzz treats the classic tone to a modern control set that includes a FAT/NORM mode switch, BIAS control, and TONE knob. The added FAT mode features a tone that is bigger and warmer than the NORM mode for woolly leads and giant wall-of-thunder riffs. The TONE control is an active tilt-shift EQ that inversely controls both the treble and bass of the fuzz for broad tonal shifting. Set the BIAS control to dial in the fuzz character from balanced and open to gated and snarly. | Electro-Harmonix Satisfaction Plus Fuzz True Bypass Electric Guitar Analog Pedal with 9V Battery in Black

The Electro-Harmonix Flatiron Fuzz Effects Pedal is a classic op-amp-powered fuzz/distortion. With its late 70s style circuit and symmetrical hard clipping, it’s EHX’s take on the RAT2 pedal. VersatileThe Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.70s Style CircuitryThe stellar sound of the Flatiron Fuzz is a result of its classic, late 70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you’ll prefer the Flatiron. Three ControlsThe Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end from dark to raunchy.

The Electro-Harmonix Flatiron Fuzz Effects Pedal is a classic op-amp-powered fuzz/distortion. With its late 70s style circuit and symmetrical hard clipping, it’s EHX’s take on the RAT2 pedal. VersatileThe Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.70s Style CircuitryThe stellar sound of the Flatiron Fuzz is a result of its classic, late 70s style circuitry and the fact that it delivers symmetrical hard clipping. As a point of reference, you might refer to the old Rat pedal, but we think you’ll prefer the Flatiron. Three ControlsThe Flatiron Fuzz features three controls: Volume, Drive and Filter. Volume sets the output level while Drive adjusts the amount of sustain and distortion. The unique Filter control is actually a low pass filter with a movable cut-off frequency. This is especially cool because it lets you dial in just the right amount of high-end from dark to raunchy.

The polyphonic Electro-Harmonix Bass9 Bass Machine Pedaltransforms a guitar into nine different basses and requires no special pickups, MIDI, or instrument modifications. It relies on the same technology poweringall EHX 9 Series pedals, like the award-winning MEL9 Tape Replay Machine, butfeatures a new algorithm maximized for transposing one to two octaves down withsuperior dynamics and tracking. FeaturesA rotary switch allows the user to select the sound of their choice, asfollows. Precision pays homage to the iconic Fender P Bass. Longhorn emulatesthe Danelectro 6-string bass, ideal for baritone-type tones. Fretless featuresboth electric and standup fretless basses. Synth pays tribute to the classicTaurus Synthesizer. Virtual lets the user adjust the bass’s body density andneck length for a variety of bass sounds. Bowed delivers classic bowed bass. Split Bass makes it possible for the guitarist to play bass on the lowerstrings (all notes below F No. 3) and chords or melody with the higher strings.3:03 is a polyphonic salute to the sought-after Roland TB-303 vintage basssynth. Flip-Flop is inspired by EHX’s Octave Multiplexer, and provides a’70s-style logic-driven sub-octave generator that tracks without glitches. Thepedal is equipped with independent Effect and Dry volume controls so guitaristscan precisely tune their mix at the Effects output jack, plus an always-activeDry output jack that outputs the input signal at unity gain. Controls 1 and 2have been designed to adjust specific parameters for each of the nine programs. For example, in Precision, Ctrl 1 controls the sub-octaves while Ctrl 2imitates the original instrument’s tone control. Controls and I and O JacksThe Dry Vol knob controls the volume of the untreated instrument signal presentat the Effect Output jack. The Dry knob does not control the volume of the DryOutput jack. The Effect Vol knob controls the overall volume of the selectedpatch at the Effect Output jack. Turn the white knob to select a bass patch. Plugyour instrument or the output of another effects pedal into the 1/4-inch Inputjack. The Dry Output jack outputs the signal present at the Input jack througha buffer circuit. In either Effect or Bypass mode, the dry signal is alwayspresent at the Dry Output jack. The Effect Output jack outputs the mix set bythe Dry and Effect volume controls. In Bypass mode, Effect Output outputs thebuffered bypass signal. Press the Bypass footswitch to toggle the Effect Outputjack between buffered Bypass and Effect mode. The status LED lights when youare in Effect mode. | Electro-Harmonix Bass9 Bass Machine Pedal with Independent Effect and Dry Volume Controls

The polyphonic Electro-Harmonix Bass9 Bass Machine Pedaltransforms a guitar into nine different basses and requires no special pickups, MIDI, or instrument modifications. It relies on the same technology poweringall EHX 9 Series pedals, like the award-winning MEL9 Tape Replay Machine, butfeatures a new algorithm maximized for transposing one to two octaves down withsuperior dynamics and tracking. FeaturesA rotary switch allows the user to select the sound of their choice, asfollows. Precision pays homage to the iconic Fender P Bass. Longhorn emulatesthe Danelectro 6-string bass, ideal for baritone-type tones. Fretless featuresboth electric and standup fretless basses. Synth pays tribute to the classicTaurus Synthesizer. Virtual lets the user adjust the bass’s body density andneck length for a variety of bass sounds. Bowed delivers classic bowed bass. Split Bass makes it possible for the guitarist to play bass on the lowerstrings (all notes below F No. 3) and chords or melody with the higher strings.3:03 is a polyphonic salute to the sought-after Roland TB-303 vintage basssynth. Flip-Flop is inspired by EHX’s Octave Multiplexer, and provides a’70s-style logic-driven sub-octave generator that tracks without glitches. Thepedal is equipped with independent Effect and Dry volume controls so guitaristscan precisely tune their mix at the Effects output jack, plus an always-activeDry output jack that outputs the input signal at unity gain. Controls 1 and 2have been designed to adjust specific parameters for each of the nine programs. For example, in Precision, Ctrl 1 controls the sub-octaves while Ctrl 2imitates the original instrument’s tone control. Controls and I and O JacksThe Dry Vol knob controls the volume of the untreated instrument signal presentat the Effect Output jack. The Dry knob does not control the volume of the DryOutput jack. The Effect Vol knob controls the overall volume of the selectedpatch at the Effect Output jack. Turn the white knob to select a bass patch. Plugyour instrument or the output of another effects pedal into the 1/4-inch Inputjack. The Dry Output jack outputs the signal present at the Input jack througha buffer circuit. In either Effect or Bypass mode, the dry signal is alwayspresent at the Dry Output jack. The Effect Output jack outputs the mix set bythe Dry and Effect volume controls. In Bypass mode, Effect Output outputs thebuffered bypass signal. Press the Bypass footswitch to toggle the Effect Outputjack between buffered Bypass and Effect mode. The status LED lights when youare in Effect mode. | Electro-Harmonix Bass9 Bass Machine Pedal with Independent Effect and Dry Volume Controls

The Electro-Harmonix Nano Metal Muff Distortion Pedal was built for the player who demands nothing less than hard-hitting distortion and an intense, aggressive sound. It’s a combination of weaponized distortion and an extremely powerful EQ section that provides all the flexibility and tone-shaping needed to dial in an array of ultra-heavy sounds. Noise GateThe Nano Metal Muff’s newly designed noise gate is a superb addition to this high-gain pedal and eliminates unwanted hum when you stop playing. It features a noise floor threshold control (GATE) and its LED to indicate when the gate is engaged. Compact and Straight Forward Controls and Volume KnobA compact footprint and intelligent, straightforward controls complete the picture. This volume knob sets the overall output level. Gate KnobIt removes unwanted hum by adjusting the noise floor threshold. The gate mutes the Output jack when the signal at the INPUT jack is below the threshold setting of the GATE knob. As GATE is turned clockwise, a louder guitar signal at the INPUT jack is required to unmute the OUTPUT jack. Set GATE fully counter-clockwise to disable. Distortion Knob and Treble KnobIt adjusts the amount of distortion and saturation. Turn clockwise for more saturation. The treble knob provides up to 10dB of cut and boosts in the treble frequency range. MID Knob and Bass KnobIt provides up to 15dB of cut and boosts in the middle-frequency range. The Bass Knob provides up to 14dB of cut and boosts in the bass frequency range. Output JackThis 1/4-Inch jack is the audio output from the Nano Metal Muff. In Bypass mode, the OUTPUT jack is connected to the INPUT jack through a buffer circuit. The output impedance at the OUTPUT Jack is 600 mm. Bypass Footswitch and Status LEDIt toggled the Nano Metal Muff between effect and buffered bypass. The STATUS LED light when the pedal is engaged. Input JackThis 1/4 inch is the audio input to the Nano Metal Muff. The input impedance presented at the INPUT jack is 1MM. | Electro-Harmonix Nano Metal Muff Distortion Pedal with Noise Gate and Straight Forward Controls in Black