Top Rough Trade US Deals & Price Drops for January 2026

Volume 3 and another fantastic selection. 1. "Creep" (Acoustic Version) - Performed by Radiohead 2. "Crazy On You" - Performed by Heart 3. "Since You Been Gone" - Performed by Rainbow 4. "In the Meantime" - Performed by Spacehog 5. "Reasons" - Performed by Earth, Wind and Fire 6. "Do You Realize??" - Performed by The Flaming Lips 7. "We Care a Lot" - Performed by Faith No More 8. "Koinu no Carnival" (From "Minute Waltz") - Performed by EHAMIC 9. "I'm Always Chasing Rainbows" - Performed by Alice Cooper 10. "San Francisco" - Performed by The Mowgli's 11. "Poor Girl" - Performed by X 12. "This Is the Day" - Performed by The The 13. "No Sleep Till Brooklyn" - Performed by Beastie Boys 14. "Dog Days Are Over" - Performed by Florence + The Machine 15. "Badlands" - Performed by Bruce Springsteen 16. "I Will Dare" - Performed by The Replacements 17. "Come and Get Your Love" - Performed by Redbone

Tomberlin is Sarah Beth Tomberlin, a pastor’s kid born in Florida, raised in rural Illinois. She wrote the majority of her debut, At Weddings (2018), while living at home. For a while after leaving home and church, she lived in Louisville, Kentucky. She worked a day job and kept writing songs. She posted some of these songs to Bandcamp, which led to her signing a record deal with Saddle Creek. It all happened fast: less than a year after her frst live show, she performed on Jimmy Kimmel and she ended up moving to L.A. During the pandemic, Sarah Beth was all over the place, physically and mentally. Louisville. Los Angeles. Back home in Illinois for a bit. Brooklyn, where she’s now settled, she says and is where her new album i don’t know who needs to hear this… was recorded with producer and engineer Phil Weinrobe (who played a variety of instruments on the collection), and later mastered by Josh Bonati, also in Brooklyn. “The theme of the record,” she explains, “is to examine, hold space, make an altar for the feelings.” Hold space: Tomberlin’s songs do it literally, making it heard space. Her full-length debut, At Weddings, was widely praised for the sparsity and delicacy of its instrumentation, especially in contrast with the emotional heft of her lyrics. Here, the space feels larger and holier, built to echo. Pedal steel. Old acoustic guitars, freshly plucked. A drifting synthesizer. Chill, brushy percussion. Ambient, expansive clarinet and saxophone. Aleatory piano trills, a lot of piddling with the occasional splash. The looseness and wideness of the arrangements conveys a tender regard for their parts, as though each arpeggio, loop, scratch is a found shell or feather in the hand. Then there is the instrument of her voice, which has the endearing quality of being perfectly tuned but reluctantly played. “I’m not a singer,” she sings on “idkwntht.” “I’m just someone who’s guilty.

Off the back of winning the 2024 Mercury Award for their debut album This Could Be Texas, Leeds' finest band English Teacher release an exclusive limited edition 140 gram, 10” Crystal Clear vinyl of their Live from Maida Vale EP. The EP includes 2 stunning covers of "Birds of Feather" by Billie Eilish and LCD Soundsystem’s "New York, I Love You but You’re Bringing Me Down". TRACKLIST: 'Birds of a Feather – Live from BBC Maida Vale' 'This Could Be Texas – Live from BBC Maida Vale' 'You Blister My Paint – Live from BBC Maida Vale' 'The World’s Biggest Paving Slab – Live from BBC Maida Vale' 'New York, I Love You but You’re Bringing Me Down – Live from BBC Maida Vale'

Alexis Taylor – front man of celebrated indie-electro band Hot Chip – joins the eclectic Paris-born DJ and producer Pilooski (real name Cédric Marszewski) on a remix of Weller’s recent single ‘Flying Fish,’ while British drummer, producer and engineer Richie Stevens of virtual band Spacemonkeyz reimagines the track ‘Nothing.’ A: Flying Fish – Alexis Taylor and Pilooski Remix B: Nothing - Richie Stevens Smudge Remix

Bobby Gillespie has put together a fantastic new compilation for Ace Records, 'Bobby Gillespie Presents Sunday Mornin' Comin' Down'. The tracklisting is a great mellow mix of old tunes, named after the Kris Kristofferson song, however it also perfectly fits the description of a Sunday morning come-down album. It features 13th Floor Elevators, Beach Boys, Byrds, Dion, Alexander 'Skip' Spence, Link Wray, Gram Parsons, Primal Scream, Kris Kristofferson and much much more. The sleeve notes feature Bobby's explanation of what the songs mean to him and how they influenced his band's records. The cover image is an iconic image of him from the Corinne Day archive. The LP contains one bonus track - 'Cheree (remix)' by Suicide.

Light in the Attic Records present the next installment of the Nancy Sinatra Archival Series with the first ever reissue of the classic 1972 album Nancy and Lee Again. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”Arkansas Coal (Suite),” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, Nancy and Lee Again reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come. Includes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”. Newly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin,

boygenius (Julien Baker, Phoebe Bridgers, Lucy Dacus) presents the rest, a new four-track EP. Building upon the themes of friendship and queer joy established in their debut full-length the record, the rest continues to showcase the band’s songwriting prowess and intimate cohesion as a unit.

Joy Anonymous is the brainchild of Henry Counsell, a collective encompassing music, live events and the deeper mission of bringing people together over lockdown. Henry and his production / creative partner Louis Curran started out delivering a series of spontaneous performances at London’s South Bank: soon, the sight of two silhouettes in camping chairs on the Thames beach evolved from just passing strangers into a genuine movement, all brought together via Joy Anonymous’ love of connection, community, and dance culture. This is vividly captured in Joy Anonymous’ first project, Human Again: a genre-spanning body of work, whose elements of house, soul, disco and pop has seen them earn early co-signs from the likes of Fred Again and The Blessed Madonna. Capturing the collective’s innate spontaneity - field recordings of their now-legendary parties can be heard throughout the record - Human Again is as much a poignant time-capsule of what it means to be alive right now as it is a future-soundtrack for good times to come.

In a season where we all seek comfort, tradition, and a return to a home of sorts, a trio composed of indie music’s foundational members have gifted us A Peace of Us - an album of diverse holiday tunes filtered through their musical imaginations. Dean and Britta, well-known from their work defining a genre with Galaxie 500 and Luna, join Spacemen 3’s Sonic Boom, another bastion of indie’s collective adolescence, to bring to life a collection that draws from early ‘60s pop, garage, country, James Bond soundtracks, Christmas carols, and electronica. Dean Wareham recalls a sentiment from his DJ friend Chris: “You can experience all the emotions of Christmas through music: love and hate, joy and heartache, nostalgia, regret, anticipation, and frustration.” Their venture into a holiday album was organic, spurred by a few cover tunes over the years, a Christmas special during the pandemic, and finally collaborative sessions between Dean and Britta in L.A. and Sonic Boom in Portugal. The trio all contributed vocals, with guitars by Wareham, bass and keyboards by Phillips, effects, and mixes by Sonic. The result is an album of exploration as well as comfort, “like Bing Crosby...on acid,” Britta adds, the tracklist a reminder that the holidays are complex and tragicomic.  If collaboration is the fuel, peace and mutual understanding is surely the fire, and A Peace of Us has us gathered around it. “Christmas is mostly for children anyway,” says Dean. Sonic adds, “Or the inner child in all of us. Goodwill to all men. Hopes and fears for the year to come. And light in the darkness. Where this festival began.”

Djesse Vol. 1 is the first album in the Djesse series by Jacob Collier. The album features the Metropole Orkest, and was originally released on 7 December 2018. The album features the Grammy award-winning arrangement of ‘All Night Long’ ft Take 6.

The highly anticipated follow-up album to 2006’s Show Your Bones, recorded with Nick Launay (producer of Yeah Yeah Yeah’s 2007 “Is Is” EP) and longtime collaborator, TV On The Radio’s Dave Sitek. The album sessions took the city-dwelling band from the snow-covered fields of rural Massachusetts and Long View Studios to Sitek’s Staygold complex in Brooklyn before heading south to a studio in Tornillo in the Texan desert for further confinement and recording. It’s Blitz signals both a glance backwards and a step forward for the Yeah Yeah Yeahs with the appearance of synths for the first time.  Guitarist Nick Zinner had brought along an old keyboard he bought on ebay to work with during the writing session not expecting it to end up on the album. However, the sounds of the vintage arp were so right for the new songs that they found their way into the atmospheric washes of 'Skeletons', the disco wiggles of 'Heads Will Roll', and new wave melodrama of 'Soft Shock'. the whole record has a new feeling of space and atmosphere, a new sonic dimension, if you will.

Recorded live at a UCLA concert hall in April 1978, Coltrane plays piano and organ accompanied by Roy Haynes on drums and Reggie Workman on bass. The trio conjures both a universe and a universal consciousness; Coltrane has no qualms with the commingling of exhilaration and asceticism it demands of listeners. In fact, she demands that you come closer, to its tone and to your natural self.

Building on the panoramic dynamism of Snow Patrol’s 8th studio album The Forest Is The Path, the band headed back into the studio with producer Fraser T Smith in the final weeks of 2024. The result was a number of brand new songs that the band didn’t want to sit on any longer than necessary. Led by the anthemic new single "But I’ll Keep Trying," the new songs are released on 12” Coke Bottle Clear vinyl as The Forest Is The Path: Onwards To The Endless.

With this album Freewheelin', Bob Dylan emerged from the cloak of Woody Guthrie and proclaimed his own unique talent. No longer detached - the set was originally entitled Bob Dylan's Blues - he personalized his songs, famously rejecting four from the final draft in favor of others reflecting his newer muse. Protest songs were given a wider resonance - the text of "Masters of War" remains sadly relevant decades later - while his love songs are haunting but universal statements. Dylan injected black humor into the talking blues and railed against injustice in all forms, with a perception encompassing the anger of a generation. Freewheelin' is a landmark in the development of folk and pop music.

Buy in-store on Record Store Day (12/04/2025). This product is an RSD Exclusive title and is not available to pre-order. Remaining stock available online from: US - 08.00 ET (13/04/2025) EU - 21:00 CEST (14/04/2025) UK - 20:00 BST (14/04/2025). Some titles will sell out prior to online sale and some will only be available in specified regions. We are sorry for any inconvenience this may cause. Recorded at Good Neighbours sold out London show in June 2024, this super limited pressing includes 10 songs inclusive of the band’s breakout hit "Home" and recent single "Ripple". The live performance also includes performances of 4 yet to be released songs.

Mastered by Bob Ludwig. Half-speed lacquers cut at Abbey Road Studios. 'The Game' is the eighth studio album by Queen released on 30 June 1980. It was the only Queen album to reach number 1 in the US. From the funk of 'Another One Bites The Dust' to the new-wave power-pop of 'Coming Soon' to the rockabilly of 'Crazy Little Thing Called Love,' the album was a major refutation of the idea - prevalent then and now - that a mainstream band must sound like itself, whatever that sound is understood to be.

Ringo Starr’s eventful and remarkable life laid bare in a first-of-its-kind mosaic biography of one of the greatest musicians of all time. Often overshadowed by his former bandmates, Starr’s remarkable story is no less compelling. ‘Ringo: A Fab Life’ highlights a life so jaw-droppingly eventful that one is left wondering how he also had time to become one of the best musicians on the planet. Through an episodic, mosaic format critically acclaimed author Tom Doyle takes readers through the ride of a lifetime, from Starr’s brushes with death as a child bought up in poverty, through to dizzying heights of fame and success with The Beatles and beyond. By examining pivotal moments, anecdotes and cautionary tales, we see Starr soar as part of the biggest band in the world - and then try and cope with life outside of it: a film career, misadventures with friends, children’s TV narrator, furniture designer, marriage to a Bond girl, before eventually finding peace and sobriety as one of the elder statesmen of rock. So much more than another Beatles related biography, we follow Starr’s career far beyond the rose-tinted sixties, through the various addictions and career left turns in the seventies and eighties, before reaching the 1990’s, his legacy and reputation intact. The life of Richard Starkey is long overdue a proper inspection and this book - with exclusive new interviews conducted by Doyle with, amongst others, Starr himself - provides a never-before-seen level of detail that will delight hardcore fans and curious readers alike. ‘Ringo: A Fab Life’ - hilarious, moving, insightful and constantly surprising - is the definitive account of one of the greatest living musicians and the uncontested best drummer in The Beatles.

Damon Albarn, Graham Coxon, Alex James and Dave Rowntree are back with a brand new album. The Magic Whip thrums with ideas and possibilities. Isolation and the de-personalizing qualities of modern living weave through the album's 12 songs. Songs on The Magic Whip mention internet hotspots, satellite showers, industrial light and glass arcades. Initially conceived in Hong Kong, during downtime following a cancelled show in Japan, the band spent five days laying down ideas. It wasn't until Graham Coxon reprised these sessions and presented them to long-time producer Stephen Street, who went on to develop them with the guitarist, that they realized they might have material worthy of a new album.

Bob Dylan's third album The Times They Are A Changin', released in 1964, might not have been such a landmark as The Freewheelin' Bob Dylan, but it still was a very strong album. This album was political and social statement like no other. Most of the songs on his protest album are about very dark subjects, such as murders, racism, war, and hardship. As the album released two months after president John F Kennedy's assassination, the powerful title track became an anthem for the generation. The lyrics are absolutely brilliant and Dylan's singing, and playing is simple, but powerful.

Joni Mitchell delivers personal protest music and barbed social commentary in The Hissing of Summer Lawns. This album, the follow-up to her most commercially successful work, explores adventurous jazz-dictated directions, abstract impulses, and tough-minded lyrics. Unlike her prior albums, Mitchell's songwriting on The Hissing of Summer Lawns moves away from introspection to sketch third-person narratives. These narratives portray her as an observer, mythologist, and impressionist, often from a male perspective. Despite the varied subject matter, the singer-songwriter remains in control throughout the album. This sense of control stands in contrast to the record's protagonists, who lack agency. Rolling Stone has even named The Hissing of Summer Lawns the 258th Greatest Album of All Time. This album unfolds with exceptional soulfulness, transparency, warmth, and airiness. Mitchell's unique delivery and artistry shine through in every track.

If I don't make it, I love u is Still House Plants' third LP and the fullest embodiment of their sound to date. Where Fast Edit formed with quick attachment and jump cuts, If I don't make it is shaped by persistence - a commitment to the songs that makes the music solid, warmer, and accepted. Marking the trio’s decade of friendship, this is the first record written while all live in the same city since 2017's Assemblages. The band rehearsed it relentlessly, playing for nobody except themselves, consistently building support for one another and growing the way they play. Jess’ voice is deeper. Fin’s guitar is full size, richer. David drums harder. Focused on one point together, everyone gets bigger and nothing falls apart. The guitar and the drums blend, raise the voice, make room for what is being said, what is felt. When able to finally record, production allowed layers, gave elasticity, a chance to fully stretch. Playing with length and connections, the band brought in analogue techniques - a Lesley cabinet on ‘Headlight’, sidechaining the snare with the guitar, pushing vocals through cheap DJ software - each process an attempt to bring one instrument closer to another, to give bass, body, backup. If I don't make it, I love u seeks beauty, holds feeling maximum and builds surety with its sound. The most generous SHP record to date, the music is wide open, demands less. Play it again, it will come clear.